Breakfast Point, Sydney

 Article by Natasha McGuire (Luxury Home Design)

Fanuli’s Verandahs on the Bay apartment at Breakfast Point is contemporary both in its design and choice of materials. Targeted towards those seeking something new and refreshing, it is a great space in which to entertain or simply relax and enjoy the surrounds. 
The apartment captures that truly Australian design philosophy – fluid open indoor spaces, with easy transition to the outdoors – where the melding of both creates an opportunity for a relaxed Australian lifestyle. Aboriginal artwork by Aboriginal Art Interiors is incorporated into the design to reflect the deep-rooted history of the Breakfast Point area as one of the landing points of the first settlers in Sydney in the late 1700s.

Furniture featured in the Verandahs apartment is a fusion of Australian and Italian designers. The dining space introduces a Cally dining table, designed in Sydney by Altone Design. Manufactured from solid oak, it brings lightness to the space and complements the white Kristalia Elephant dining chairs from Italy. Comfortable and practical, their rounded forms break up the strongly rectilinear angles in the room. On the back wall, the Jesse wall unit from Italy creates a decorative yet functional storage option without adding bulk to the space.

In the sitting area of this large open-plan space, it was important to keep the room visually open and uncluttered. A low-lying Coast sofa and chairs from Fanuli Furniture decorate the area. The Remy entertainment unit and coffee table, also from Fanuli, are custom-made for the space. The “Bucky” lighting, manufactured in Italy using Venetian glass, is a striking example of how current European trends and influences have melded beautifully into the space. A large-format black-and-white Yam Dreaming story by Aboriginal artist Lorna Fencer Napurrula captures the eye. Bold splashes of colour adorn the generous open-plan living/dining space, where three large-scale works by Kudditji Kngwarreye transform the room. Drawing on the colours from the outside, the three paintings, titled Mina Mina or My Country, resonate with Aboriginal dreamtime stories of the sacred land and its importance to indigenous Australia. A small delicate work in pinks, golds and white by Emily Pwerle, sister of renowned Aboriginal artist Minnie Pwerle, softens the space with a feminine quality.

On the balcony, there is a seamless flow between indoors and outdoors with relaxed, modern cane furniture, which complements the water views. Grasses were strategically placed on the balcony to create a true representation of Australia, their soft, whimsical appearance working well with the indigenous art visible through the retracting doors. The grasses also work well with the agaves on each balcony.

At the top of the stairs, leading to the master bedroom suite, a commanding work by world-renowned Papunya Tula artist Ronnie Tjampitjinpa in bold orange, red and white brings dramatic impact to the entrance.

The Elysee bed and Soho bedsides from Italy provide a softness to the room, allowing a fusion of feminine and masculine shapes and textures. These complement artwork from local artist Bronnie Barnett that depicts natural items found in Smith Lake, north of Seal Rocks in New South Wales.
The lack of strong colour in the room allows the eye to be drawn to the beautiful vista, with ochre artist Phyllis Thomas’ work Barramundi Dreaming” in dark brown and white reflecting the strong textural boldness of the space. An outdoor chaise and foot stool from Roberti by Fanuli is a great place to lounge with a good book, while the Soho lighting in the room is practical for those who love to read in bed.

The second bedroom with the Sirio bed and Defile bedsides and dresser from Jesse is designed to be fun, with a splash of lime green to create a great retreat for teenagers. The subtle movement in Gloria Petyarre’s art piece and a large work over the bed by Barney Campbell Tjakamarra further enhance the visual appeal of this room. In contrast, the third bedroom is a great space with a balcony, where you can sit and enjoy the action on the Breakfast Point foreshore. The Tang bed and bedside from Jesse in oak creates a cheerful space, splashes of red contrasting with the greenery outside. The Zen-like detail in Abie Loy Kemarre’s work is a calm touch against the red backdrop.

“When I designed the furniture for the spaces, I kept in mind the demographic profile of Breakfast Point,” said interior designer Jason Woodland from Fanuli Furniture.” The fact that there is a diverse collection of people who live here gave me a broad scope to work with. The Verandahs’ apartment breaks through boundaries and suits a broad range of customers, from young families through to those who want to settle for a quiet life close to the city, with all the amenities available.
“We are so fortunate in Australia to be connected to the oldest living culture in the world. Contemporary Aboriginal art sits perfectly in our urban residential landscape,” said Karen Lange from Aboriginal Art Interiors.

“Here at Breakfast Point, when we look out into surrounding parklands and the magnificent Sydney Harbour, it is the raw, natural colours and organic quality of Aboriginal art that bring a uniquely Australian point of view into our living spaces.”

FOR MORE INFORMATION
www.breakfastpoint.com.au or www.fanuli.com

Rose Group and Cbus Property are the developers of Breakfast Point.

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